Popular Post Lowepost August 8, 2021 Popular Post Share August 8, 2021 We, Lowepost have challenged a selection of the worlds best colorists and color scientists out there to create a collection of "looks" for DaVinci Resolve. That will result in a product called Ravengrade.com with official release in Q1 2022. Go to ravengrade.com to pre-order the product. 7 Link to comment Share on other sites More sharing options...
Rune Felix Holm August 11, 2021 Share August 11, 2021 Will the looks be ready for HDR grading and delivery? 1 Link to comment Share on other sites More sharing options...
James Hawkes December 29, 2021 Share December 29, 2021 Is there a more definitive release date than Q1 2022, now that Q1 2022 is almost upon us? Thank you. 1 Link to comment Share on other sites More sharing options...
Lowepost December 29, 2021 Author Share December 29, 2021 1 minute ago, James Hawkes said: Is there a more definitive release date than Q1 2022, now that Q1 2022 is almost upon us? Hi James. If you pre-ordered, you will get your copy in February. 1 1 Link to comment Share on other sites More sharing options...
Andreas Roeder December 29, 2021 Share December 29, 2021 Will there be a trial version of Ravengrade? Link to comment Share on other sites More sharing options...
Lowepost December 29, 2021 Author Share December 29, 2021 10 hours ago, Andreas Roeder said: Will there be a trial version of Ravengrade? Hi Andreas. We have a few hundred pre-orders that will get access to the Plug-in next month and we'll work with them to improve all aspects of it. Currently there is no plan of when a public version will be released, price, and if a trial will be available at that point, but the documentation will be good enough for anyone to take an informed decision whether to buy or not. 2 Link to comment Share on other sites More sharing options...
Rafael Lacau February 7, 2022 Share February 7, 2022 When we can get it? Link to comment Share on other sites More sharing options...
Tom Evans February 7, 2022 Share February 7, 2022 1 hour ago, Rafael Lacau said: When we can get it? I actually got mine today! Link to comment Share on other sites More sharing options...
Lowepost February 8, 2022 Author Share February 8, 2022 On 8/11/2021 at 2:20 PM, Rune Felix Holm said: Will the looks be ready for HDR grading and delivery? Yes! 1 Link to comment Share on other sites More sharing options...
Lowepost February 8, 2022 Author Share February 8, 2022 23 hours ago, Rafael Lacau said: When we can get it? If you have pre-ordered it should be in your mailbox now. Link to comment Share on other sites More sharing options...
Willian Aleman February 9, 2022 Share February 9, 2022 (edited) I just started using REVENGRADE. From the Youtube demo, it is not clear to me if when working in Resolve Color Managed Preference Settings, ACES or RCM, the Working Color Space can be overwritten at Clip Node level when working with different camera gammas within the same Timeline. In other words, is this only possible when using non-color managed workflow, YRGB? Edited February 9, 2022 by Willian Aleman Link to comment Share on other sites More sharing options...
Emily Haine February 9, 2022 Share February 9, 2022 21 minutes ago, Willian Aleman said: In other words, is this only possible when using non-color managed workflow, YRGB? Not sure if I understand, but if you have different formats in ACES you should set the ACES Input transform to "No Input Transform". Then, if you want to challenge how Resolve interprets the clips on your timeline, you could change input on clip level. Why would you want to change gamma on node level? Link to comment Share on other sites More sharing options...
Willian Aleman February 9, 2022 Share February 9, 2022 Hi Emily - thanks for the prompt response. My question is in reference to REVENGRADE being used in a "Color Managed" workflow. Normally when using CST or any OFX film emulation from a third party company, Resolve unmanaged color space —YRGB— is used. In addition to Resolve YRGB, REVENGRADE video demo is shown using ACES and RCM in a Color Management Project Settings, while REVENGRADE is used at clip level. Why would I want to use change gamma on node level? To match each camera to their own color input and gamma independently of the Project Settings when using camera from different vendors. Normally this is done in a non color managed workflow: Resolve YRGB. My apologies for any confusion. Link to comment Share on other sites More sharing options...
Emily Haine February 9, 2022 Share February 9, 2022 Hi Willian. I do understand you are talking about a color managed workflow, that's why my example was in ACES. Your workflow still makes no sense, if you want to match cameras you should let ACES/RCM handle the transforms and if you want to override their judgement, that can be done on clip level and not node level. When using ACES in Ravengrade you simply set working color space inside of Ravengrade to ACEScct and the rest will be handled by how you set up the color management inside of Resolve. 1 Link to comment Share on other sites More sharing options...
Willian Aleman February 9, 2022 Share February 9, 2022 Hi Emily - Thanks a lot for the clarification Link to comment Share on other sites More sharing options...
Nicolas Hanson February 11, 2022 Share February 11, 2022 Ravengrade is insane! Got it yesterday. Link to comment Share on other sites More sharing options...
Paolo Verrucci March 8, 2022 Share March 8, 2022 Hello, is it possibile to export a lut with resolve or i can used just as Ofx plugin? Link to comment Share on other sites More sharing options...
Orash Rahnema March 10, 2022 Share March 10, 2022 I'm playing around with Ravengrade and it's working great generally. Not sure about all the looks, I will have to explore them a lot more and understand when and how to use it at their best since lots of them are quite particular. I have a question/suggest tho: would it be possible to bypass completely the look and only have access to the grading controls? example input: Alexa/logc -> Ravengrade exposure/density/etc.etc -> output: Alexa/logC I have tried by setting main and sub look to zero but there is still a look applied to it, only the log curve stays relatively untouched cheers, Orash Link to comment Share on other sites More sharing options...
Lowepost March 10, 2022 Author Share March 10, 2022 7 minutes ago, Orash Rahnema said: I have tried by setting main and sub look to zero but there is still a look applied to it, only the log curve stays relatively untouched Hi Orash. Thanks for using Ravengrade, looking forward to see what you create with it! You should be able to use the color controls only and completely bypassing the look by setting main to zero. Will send you an email to see if we can figure out what is going on. Link to comment Share on other sites More sharing options...
Virgil Edward March 11, 2022 Share March 11, 2022 Yes, would it be possible to retain the transform only? If we make the main look 0, it reverts back to LOG-C for Cinelook 709 Link to comment Share on other sites More sharing options...
Lowepost March 11, 2022 Author Share March 11, 2022 4 hours ago, Virgil Edward said: Yes, would it be possible to retain the transform only? Hi Virgil. Unfortunately, this is only possible in the RCM/ACES versions as the transforms are handled by the color management systems in those versions. Link to comment Share on other sites More sharing options...
Vinod Yadav March 13, 2022 Share March 13, 2022 On 3/10/2022 at 5:02 PM, Lowepost said: Hi Orash. Thanks for using Ravengrade, looking forward to see what you create with it! You should be able to use the color controls only and completely bypassing the look by setting main to zero. Will send you an email to see if we can figure out what is going on. Im facing the same issue, despite turning the look settings (both main and sub) to zero, there is still something non-native thing going with the image. Some look is present. Pls suggest a solution. Thank you Link to comment Share on other sites More sharing options...
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