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Inside Llewyn Davis


Abby Bader

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It was shot in 35mm, and they called it a variation of Technicolor two strip where they built blue by remapping red and green. The original blue channel was not used at all.

 

 

Edited by Amada Daro
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If I remember correctly Mr. Doyle mentioned using a Colour-matrix to block blue (Baselight), either in the Colorist Podcast or the two interviews done by fxguide. He also talks about manipulating certain colours with matrices in Harry Potter.

https://mixinglight.com/color-tutorial/colorist-podcast-episode-009/

https://www.fxguide.com/fxpodcasts/the-art-of-grading-harry-potter-peter-doyle/

https://www.fxguide.com/fxpodcasts/color_in_harry_potter/

Without actually have tried, using Resolves RGB-mixer might help you some of the way. Baselight has more accessible matrix-tools from what I have heard.

merry xmas

 

 

 

 

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