Hollywood Colorist Walter (CSI) about his color grading process

Thank you Walter, this is so awesome!

Like a dream come true!
Do you often start work with a LUT (log - rec709) in timeline when you do the base grade?

Where do I apply for a job  

Love your work!

//Jesper

Thanks Walter! Really appreciate how generous you are in sharing your knowledge!

Thanks for wonderful tips and tricks Walter!

Waiting for new techniques from Maestro!😎

Thank you Walter!
Unfortunately it cannot be used in version 17 until today.
I hope BMD change the automatic numbers on node tree,

thanks Walter!!!!! 

amazing !!!!

Thank you for this!!!

11 hours ago, Jesper Hammarbäck said:

Like a dream come true!
Do you often start work with a LUT (log - rec709) in timeline when you do the base grade?

Where do I apply for a job  

Love your work!

//Jesper

Lut, Look, whatever is appropriate for the project.

13 minutes ago, Walter Volpatto said:

Lut, Look, whatever is appropriate for the project.

You most work in YRGB or Color managed?
Or maybe ACEScct?
Would love to hear how you think about the Color Management.

I often work in Color Managed and set my input for the camera and output Color Space to Rec.709 Gamma 2.4.

3 minutes ago, Jesper Hammarbäck said:

You most work in YRGB or Color managed?
Or maybe ACEScct?
Would love to hear how you think about the Color Management.

I often work in Color Managed and set my input for the camera and output Color Space to Rec.709 Gamma 2.4.

 

If the client has no preference, I work in YRGB and i manage my own color.