Tom Evans

And while I have you here... any idea how I can get Avid to recognize the Ultrastudio? Desktop Video and Resolve recognize it.

Thank you Bruno. I did now, but unfortunately the sequence does not update. When I match frame the clips though, it appears in the monitor window but not in the main timeline / player window.

Seems like I can right-click the grouped sequence and choose "edit group" to swap the clip in the group. The issue I'm having now is that the main sequence with the group on the timeline does not update. Tried to restart. Any idea what can solve this issue?

Hi. Is it possible to change / swap a grouped clip in Avid with another clip? I did some changes to the original clip so I would like to change it without redoing the whole edit.

Looks great Randy, but you can skip the four top nodes. The components are there to turn a technical transform curve into a film style curve. You do not need that because it’a built into the LUT at the end of your stack.

Jonathan, the LUTs have the transform built into them so there is no need for using a CST at the end. Just follow the steps in the post and use the LUT at the end.

It's 8 bit.

James, you do not need to pay for any Plugin / DCTL to set up your node tree exactly as in the examples, including the use of CSTs, ADX and Matrixes. If you want to use GradeLAB for subtractive grading it's totally up to you, but it got nothing to do with setting up your nodes for a film workflow.

You don’t need plugins to do anything of the above, and to go from Slog to LogC3 you just apply a CST first thing in your node tree.

I have two processes going on at the same time on my Mac Mini M1- 1. Copying files to the Mac Mini from an external SSD disk. 2. Transcoding some footage inside of DaVinci Resolve from the internal SSD disk. When I transcode, it slows down the file transferring. It should take an hour or so to copy the files over, but when when starting the transcode it suddenly goes up to 10 hours. Why is this happening?

Will definitely give Baselight a try, thank you Josh and Lowepost.

Have any of you used the Baselight Slate panel with DaVinci Resolve?

Exactly, so you will have to transform your camera space to Cineon with a CST prior to the LUT.

The name of each LUT states what it expects and what it returns.

First of all, "working under the transform" means the opposite of what you write. It means working prior to the transform / on nodes before the transform. If you want to work on a normalized image you will have to work on a node after the transform. If you want access to the log data, you will need to work on nodes before the transform. It can be more complex, but you are confused enough. I suggest you watch the first lessons of this course, it explains the concept very well.