Ferid Hasbun

Of course, forgot about the LUT outputting Rec. 709! Implemented your adjustment and, man, looks so much better than CST! THANK YOU! I'm also gonna look into the LUTs you mentioned in your initial answer. Really excited about it now that I finally clarified my workflow. Appreciate you 🙏🏼

Man, thank you! I'm loving your suggestion of ditching the CST for the ACES transform and, yes, much better result! Now, since I'm working in sRGB, would you mind taking a look at my conversion with the following screen shots and confirming it's the right setting? There is still a WB shift (no LUT applied), but I understand that's due to the white points as you mention. Also thank you for pointing me to the new LUTs! I should check them out! Appreciate you 🙏🏼

Hello everone! I need some advice from the community on working with LUTs under an ACES workflow with Output Transform to sRGB. Attached a view of my project settings. My work is for web and I know my camera already, so, I set the Input Transform and Output Transform in the project level. Considering my project settings, what's happening is that regardless of my settings in the CST node, there is a WB shift. As I understand, if done correctly, turning the CST nodes on and off should show no difference to the clip. Below my node structure and its settings: 1) CST (Input Color Space & Input Gamma: Use Timeline / Output Color Space: Rec.709 / Output Gamma: Rec. 709) 2) Gamut Limiter (Limit Gamut to: Rec. 709) 3) LUT (Kodak 2383 D60) 4) CST (Input Color Space: Rec. 709 / Input Gamma: Rec. 709 / Output Color Space & Output Gamma: Use Timeline) Could someone give me advice on how to use LUTs with an ACES workflow with Output Transform to sRGB correctly? Appreciate your efforts and look forward to solving this.