Jump to content
Lowepost

Search the Community

Showing results for tags 'r3d'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Categories

  • Insights
  • Courses
  • Case Studies
  • Color Grading
  • Colorist Stories
  • Discounts
  • Video Gear
    • Color Grading (Archived - Do not use)
  • Workflow

Categories

  • blog
  • Davinci Resolve
    • Editing & Sound
    • Workflow
  • After Effects
    • Visual Effects
  • Assimilate Scratch
  • Nuke
  • Case Studies
  • Fusion
    • Visual Effects
  • Fusion Copy
  • Baselight
    • Color Grading
  • Test
  • Color Grading
    • The Art of Color Grading
    • Color Grading Masterclasses
    • Workflow
    • legacy
  • Editing
    • Editing & Sound
    • Workflow
  • Visual Effects (Legacy)
    • Introduction
    • Visual Effects
    • Paint and cleanup
    • Beauty
    • Compositing
    • 3D/VR/360
    • legacy
  • Motion Design
    • Hud Element Design
  • Post Workflow
    • Camera Specific Workflow
    • Color Management
    • Conform
    • Dailies workflow
  • insider
    • Finishing & VFX

Forums

  • Post Production Tools
    • Editing , Color grading & Finishing
  • Technology
    • Hardware
    • Software
  • Lounge
    • General Discussions
    • Showroom
    • News
  • Archive
    • Suggestions and feedback

Product Groups

  • Test
  • Home
  • Internal
  • Legacy
  • Appctrl

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


Software


Website


Showreel

Found 3 results

  1. Hi, for a new project we will shot with a red camera. We will develop files in davinci resolve exports prores 444 (not exr or dpx ) and make vfx in after effects. What I am not sure is how to handle the ipp2 color workflow in after effect. I am planning to export ipp2 wide gamut from resolve and use color io to manage the files in after effect. After vfx we would not go back to resolve as we need to export files with transparency. Also we want avoid r3d in after effects as it is less optimized. Is some one has an advice or a pipeline to share to maintain the right color pipeline in AE. Best Badi
  2. I'm working with the latest Avid (8.6.x) and I've noticed that AMA is replaced with a source browser. Maybe that happened a long time ago, but I usually get handed transcoded MXF files made in DaVinci. Anyway, how do I import/transcode r3D files? When trying to "link" it says "cannot be linked" so I'm a bit lost.
  3. Hey! I'm looking for a player that can read R3D files with the burned in timecode without any lag. Any suggestions? RedCine is not an alternative because on my system it's too slow and can't playback in realtime.
×
×
  • Create New...