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Emily Haine

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Everything posted by Emily Haine

  1. Emily Haine
    I don't think that's an option, but I tend to use 'empty plates' between clips to separate versions and cut downs as that keeps my timeline better organized. This comes in handy if I receive EDL / XML's from editors with several versions on one single timeline. If I create the sequences myself I make sure to make one timeline of each version and keep track that way.
  2. Emily Haine
    Very interesting and comprehensive 'report', and I'm very surprised by the results.
  3. Emily Haine
    Hi Jordan, I haven't noticed that, what does the error message say?
  4. Emily Haine
    Does that mean DWAB is processed faster?
  5. Emily Haine
    Layer based comp? Thought it was only the keyframe setup that was layed based?
  6. Emily Haine
    The way I thought Scratch worked was reading DWAB data by bundling all the lines which should mean increased speed. Can you comment on this @Mazze?
  7. Emily Haine
    Hi Jussi. DWAB is more efficient than DWAA because the algorithm is optimized for increased performance in most of the common post production tools. You should be able to notice the difference.
  8. Emily Haine
    What Abby said. You can read more about DRT's and how it works in the Baselight forum:
  9. Emily Haine
    Hi Orash. The color science teams is often asked to develop DRT's (Display rendering transforms) for specific projects. In other cases print-emulations (not the same as film-emulations) can be used to add texture. Maybe @Daniele Siragusano or the other Baselight users can chime in with some insight.
  10. Emily Haine
    A studio I worked for bought several of the PVM-monitors and used them on-set and in the editing suites. We experienced backlighting issues, spectral imbalance and that it was almost impossible to get rid of the green tint that were baked in from the factory. Sony sent their european representative to looks at them together with our calibrators but we sent all of them back.
  11. Emily Haine
    I'm just getting used to Baselight and trying to understand how things works. When adjusting the contrast in FilmGrade it looks like it doesn't "roll off the shoulder". Is that correct? I know I can "slide the curve" with the pivot in the Highlights and Shadows controls but with FilmGrade it feels like simply lifting the whites and dropping the blacks. EM
  12. Emily Haine
    Hello everyone. Can I ask if you see any benefits of working in LAB color space? EM
  13. Emily Haine
    Thank you for great inputs and for going into detail about this guys!
  14. Emily Haine
    Thanks!
  15. Emily Haine
    Hi all, I've noticed that many of you are very familiar with Baselight. How do you apply noise reduction in Baselight? Is that what the 'Median' operator is ment for?
  16. Emily Haine
    Company 3/Beast/Method Atlanta is looking for a couple of entry level candidates for the runner program in Atlanta. bgabor@company3.com
  17. Emily Haine
    What happened with this? Still in pre-order in Europe? Looks like many suites are being equipped with LG OLED client monitors these days. Personally I have loved Panasonic since the BT-300 and hate to see them being switched with other brands.
  18. Emily Haine
    In my experience, two days on a drama episode is usually enough. Sometimes the lead will do a touch-up and final adjustments when the whole season is worked through. With new digital delivery specifications, it could require some extra attention but that is usually performed by the mastering guys.
  19. Emily Haine
    Many great shots, well done.
  20. Emily Haine
    Facilis Technology got shared storage solutions that works well. TerraBlock is the most common and is used at many facilities to connect both audio system like ProTools, editing systems like Avid and Premiere and grading and finishing softwares.
  21. Emily Haine
    Joseph, it would be interesting to hear more about this project?
  22. Emily Haine
    https://www.eventbrite.com/e/arri-certified-training-for-advanced-color-science-tickets-33702667586?utm-medium=discovery&utm-campaign=social&utm-content=attendeeshare&aff=escb&utm-source=cp&utm-term=listing
  23. Emily Haine
    ;-)
  24. Emily Haine
    Most of the linear primary tools will affect the mid range chroma levels in one way or another anyway. Even moving the luminance levels around will slightly affect the same values, unless you isolate them totally. I can't think about a reason why he doesn't want to touch those values directly, but he probably got his reasons.
  25. Emily Haine
    I'm a bit untraditional and like to use my pen and the keyboard when grading. I have used all the large panels as well but I prefer not to use them. Having said, it would be great to get access to the track balls as a separate element, does that exist?
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