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Jesper Hammarbäck

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Everything posted by Jesper Hammarbäck

  1. Jesper Hammarbäck
    Hi @Walter Volpatto I have 2 questions from the tac masterclass If you have 2-3 different cameras that you want to convert to Alexa colorspace, do you put the color space transform in the camera group or (timeline & clip?) And the images you used, showed for Alexa, Sony red. (grey 18) do you have them for download? You also showed a document to be able to download for information Thank you so much! Love you work! //J
  2. Jesper Hammarbäck
    Hi @Walter Volpatto I have 2 questions from the tac masterclass If you have 2-3 different cameras that you want to convert to Alexa colorspace, do you put the color space transform in the camera group or (timeline & clip?) And the images you used, showed for Alexa, Sony red. (grey 18) do you have them for download? You also showed a document to be able to download for information Thank you so much! Love you work! //J
  3. Jesper Hammarbäck
    @Stig Olsen Please more with the master Walter Volpatto!!
  4. Jesper Hammarbäck
    @Stig Olsen Please more with the master Walter Volpatto!!
  5. Jesper Hammarbäck
    Walter, about the settings in the resolve color management when you work in log. (the log space im working on) Lets say I have Alexa footage, are these settings right then for Rec709. See attached image.
  6. Jesper Hammarbäck
    Walter, about the settings in the resolve color management when you work in log. (the log space im working on) Lets say I have Alexa footage, are these settings right then for Rec709. See attached image.
  7. Jesper Hammarbäck
    hehe not for us I promise you! pleeeease
  8. Jesper Hammarbäck
    hehe not for us I promise you! pleeeease
  9. Jesper Hammarbäck
    He is the best!! I really hope he will do a masterclass
  10. Jesper Hammarbäck
    He is the best!! I really hope he will do a masterclass
  11. Jesper Hammarbäck
    Hi, Thanks one question. If I want to work in rec709/2.4 for tv but to match the logarithmic hero camera (the log space I'm working on) How would you setup that?
  12. Jesper Hammarbäck
    Hi Im wondering if you using Calman to calibrate your monitors? Do you use Rec 709 Gamma 2.4 in the Timeline Color Space in Resolve? If the client dosent ask for anything else.
  13. Jesper Hammarbäck
    Hi Im wondering if you using Calman to calibrate your monitors? Do you use Rec 709 Gamma 2.4 in the Timeline Color Space in Resolve? If the client dosent ask for anything else.
  14. Jesper Hammarbäck
    Are you often using the standard luts in Resolve like Kodak or I heard you guys making your own luts. I was wondering how you do your own luts, is it in resolve or another program? //Jesper
  15. Jesper Hammarbäck
    Are you often using the standard luts in Resolve like Kodak or I heard you guys making your own luts. I was wondering how you do your own luts, is it in resolve or another program? //Jesper
  16. Jesper Hammarbäck
    Wow! this is the holy grail! Thank you so much! 😍😀 And if I am correct you also make adjustments to the look at the "trim" node? (Only if the client wants it?)
  17. Jesper Hammarbäck
    Wow! this is the holy grail! Thank you so much! 😍😀 And if I am correct you also make adjustments to the look at the "trim" node? (Only if the client wants it?)
  18. Jesper Hammarbäck
    Hey Walter, one more hehe in the base node, do you often use the printer light or Curves? What do you prefer? //Jesper
  19. Jesper Hammarbäck
    Hey Walter, one more hehe in the base node, do you often use the printer light or Curves? What do you prefer? //Jesper
  20. Jesper Hammarbäck
    You most work in YRGB or Color managed? Or maybe ACEScct? Would love to hear how you think about the Color Management. I often work in Color Managed and set my input for the camera and output Color Space to Rec.709 Gamma 2.4.
  21. Jesper Hammarbäck
    You most work in YRGB or Color managed? Or maybe ACEScct? Would love to hear how you think about the Color Management. I often work in Color Managed and set my input for the camera and output Color Space to Rec.709 Gamma 2.4.
  22. Jesper Hammarbäck
    Like a dream come true! Do you often start work with a LUT (log - rec709) in timeline when you do the base grade? Where do I apply for a job Love your work! //Jesper
  23. Jesper Hammarbäck
    Like a dream come true! Do you often start work with a LUT (log - rec709) in timeline when you do the base grade? Where do I apply for a job Love your work! //Jesper
  24. Jesper Hammarbäck
    Would also like to know if he prefer working in aces or Davinci YRGB or color managed?
  25. Jesper Hammarbäck
    Thanks
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