Nicolas Hanson

Thank you Bruno, yeah that's what I usually do. I just prefer to scroll through and check the offline reference version this way, and even though it doesn't matte much they the size of the players are different it's quite annoying.

Are there any "fit to screen" or anything that forces the two player windows on the editing module in DaVinci Resolve to stay the same? I'm comparing the main films with the offline reference and it's a bit annoying to adjust the player windows on each side to stay the same all the time. Especially when switching between different aspect ratios for a social media delivery.

Amazing course! I have watched all the color grading courses online and this is definitely the best! I have to say loud that I think the "advanced" and "insider" color courses out there are nothing else than pure crap. It's indie guys without any theoretical or practical understanding of color theory experimenting with sending the color wheels in all directions without a purpose, destroying the images and creating useless looks nobody wants to see. I have seen tons of that crap and I know I will never use a penny on one of those sites ever again. I also want to say that I received the "colorist newsletter" today from some of the same guys and this course wasn't mentioned once. Even though all the buzz it has created in the colorist community and how extremely well it has been received by many of the colorists on the very top. Go figure. Thanks for creating this course and all the other high quality courses on the site. I will stand by your side with my support and I hope the rest of the community will too.

Great, thank you Michael!

That should definitely do it! I'm looking for the exact same setup as you and I'm quite happy to hear that it serves you well. I can't wait to finally get rid of the old z820 that has been bugging me for years. Any chance to insert normal HDD disks or is that something that belongs to the past?

Thanks Michael, I can't wait to get rid of my old system! Do you need external sharing or can you load it with internal HDD's?

And how did you get the discount? And no need for an extra graphic card except what you listed above?

Michael, are you happy with your setup? Good performance?

Nice!

Just export a regular EDL? Or am I missing something?

Not sure why it doesn't work but i will investigate some more when I'm back at the office tomorrow.

Do you know where I can download the Decklink HD Extreme 3D+ driver? It seems like it's fine for DaVinci Resolve but Avid tells me that it's out-of-date and that the plugin will be ignored.

Is it possible to buy the collection of Koji LUTs as cubes or a format read by Resolve? I can only find the plugin on their site.

With all the respect, choosing between RED, Alexa, Sony IS a personal matter. I would not go for Sony either because I personally don't like the images coming from the camera. 16 bit holds more information than 10 bit and most grading suites are optimized for eating r3d files. XAVC is a stranger for many, but it will probably not be an issue at all. Working with post house where nobody can speak the DOPs language sounds like a joke, but I guess you have your reason - or no choice.

This course is very useful for me as a colorist because I'm asked to paint out things on almost every job. That's kind of expected as so many directors know it's possible in Resolve.

Second that Brian. Kevin was the one that got me up to speed with Avid ages ago and the best I can think of to teach editing in Resolve. The quality of all the courses on this site is extremely high and made me cancel the subscriptions on the other Resolve learning sites months ago. Thanks Kevin and thanks Lowepost.

Have you tested the Frameio and DaVinci Resolve integration? Does it come with a basic subscription plan?

Finally some next level workflow stuff, I love it!

That sounds like a bug, it works here but I will investigate a little here on my end.

Any NAB rumors or lacks our there? Any serious price drops from the most expensive software developers or big software news? DaVinci Resolve news?

What a great thread!

Have any of you worked with Cinema4D for motion graphics? I have been working with After Effects for a decade but want to look into 3D stuff and I know many use those two in combination.

Lesson 20 in the Fusion VFX intro course is about stabilization too.

What is the best way to interpret Drone footage (DNG files)?

I have not, but would consider Eizo. Cheaper than FSI and used by many colorists.